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Joy Serves G*d in Joy as a passionate performing percussionist, poet, publisher, photographer, publicist, sound healer, spiritual guide, artist, gardener and Gemini. "Ivdu Et Hashem B'Simcha" -Psalm 100:2 ....... Joy Krauthammer, active in the Jewish Renewal, Feminist, and neo-Chasidic worlds for over three decades, kabbalistically leads Jewish women's life-cycle rituals. ... Workshops, and Bands are available for all Shuls, Sisterhoods, Rosh Chodeshes, Retreats, Concerts, Conferences & Festivals. ... My kavanah/intention is that my creative expressive gifts are inspirational, uplifting and joyous. In gratitude, I love doing mitzvot/good deeds, and connecting people in joy. In the zechut/merit of Reb Shlomo Carlebach, zt'l, I mamash love to help make our universe a smaller world, one REVEALING more spiritual consciousness, connection, compassion, and chesed/lovingkindness; to make visible the Face of the Divine... VIEW MY COMPLETE PROFILE and enjoy all offerings.... For BOOKINGS write: joyofwisdom1 at gmail.com, leave a COMMENT below, or call me. ... "Don't Postpone Joy" bear photo montage by Joy. Click to enlarge. BlesSings, Joy

MY PERSONAL MIKVEH

MY PERSONAL MIKVEH
Rain Ritual

- Joy Krauthammer

Jan. 17, 2010 - 2 Shevat 5770


I love my personal mikveh / water purification, guided by my mind and Hashem's heavenly rains. Baruch Hashem, to receive G*d's geshem, prayed for at Sukkot. We have been in drought for so long, and need the rains; we are finally blessed in the Valley, in LA.

"May the rains be gishmei bracha - rains of blessing ," says my rebbe.

May every drop of rain that falls, be a blesSing for my friends in need of healing, say I.

So it is not too frequently that I get to have my own personal rain ritual. In my 'birthday suit', on the cold and wet holy ground of my quiet garden, I remove my shoes. I stand upright receiving the gift of G*d as the rain released from Heaven comes down to me, falling on me. Is G*d facing me? I open my arms, liberating them, raising them, so that I am not covering myself, but opening myself to You. In praise, my drippy hands reach out and high.

I feel connection to You, Hashem, geshem giver of moisture-- life so basically and badly needed, and missed.

I feel the rain on my body, my bare skin, my back as I bend / berech over to a braycha / a pool, to receive more of the drops / bruchas, both sides, my chest, my bosom, my back, my head, my neck, my face, my arms, legs, and I turn. My own seasonal circle dance and You are in the center. I imagine myself submerged in mikveh, and I make a Brucha. I don't need the "fiction" plug released to give me frozen to melted water that has been captured, halachically by rules. My organic natural mikveh is spiritually pure with kavannah / intention, and mayim chayim / living waters straight from the Source of BlesSings. I open my mouth and drink Your cool rain. I feel You on my body. I am grateful for our direct connection.

Thank you Divine One of water Who cleanses each of us and our world.

I have been paying much attention to Your delicious cloud formations this last week; sometimes filled with countless small cute puffs, white fluff, floating in stillness. Separate ones, each one close up, over my head, and creative formation like shooting fire works. Clouds concentrated in the distance. If I am in the distance, do the clouds still appear closely concentrated?

My rabbi one early morning called my attention to the soft wispy white palette against firm blue sky of G*d. Clouds like yesterday, are sometimes heavy and dark gloomy grey and hovering low over mountains. I share in appreciation with a neighbor, the clouds so artistic and delightful, giving me great pleasure as I watch them still or moving, gliding, sometimes a blanket of surprises. They truly make for colorful sunrises filled with shades of fuscia and hues of blues, as the rising sun radiates brilliant light off the edges of the early morning dark clouds.

Thank you for cleaning with Your love sent from above, my husband, Marcel's, z'l, matzeivah / his grave stone, while I was visiting yesterday. Last week for his Hebrew yahrzeit, the granite stone was dull, and yesterday the engraved orange-red colored granite looked so shiny and lovely on Marcel's secular 4th yahrzeit.

I, too, am shiny and new birthed with your wet love. I guess with shmutz gone, I, too, can be read more easily.

My very first this season and only little delicate yellow daffodil, just one day old, is bent down facing parallel to the ground now with the weight of Your water. Do I leave my daffodil there plundered to the earth or rescue and cut it from the garden and bring it inside to save it in a vase of water? The garden is its home, its Makom. I've gone out, lifted and seen the daffodil's dirty face, and shaken the drops away but more come. My daffodil in our garden can not straighten up and drops lower down. It saddens me.

I will do serious gardening for Tu B'Shvat; with Your gentle rains making transplanting easier. I will joyously share my purple bearded iris tubers, easier now to remove their firm roots from the earth to make for a friend, a new 'garden of joy'. I will more easily transplant fig trees I have planted in prior years, sharing them with friends.

Thank You for my mikveh, a blesSing. I sing Your song.

Please G*d, don't let others suffer from the rains. There is such danger, especially after the fires.

Is it raining because only a week ago I used my "rain sticks" in retreat, during my Sounds of Joy ~ Sound Spa meditation? My rain sticks are magical.

I believe in the 'Secret', and the Law of Attraction, that we receive from You what we ask for from You.

Love, Joy


P.S.

Yes, I rescued Your lonely daffodil before the sky spit, hurling heavy hail, lumps of pea sized ice. Hail didn't even melt as I held them. When the drops stopped, she was bent even lower, so I carefully cut her stem, brought her inside and gently washed off the earth's dirt from her golden face. She's now not alone, and upright with the snap dragons, and for days shares her sweet fragrance and smiling golden daffodil face.

"I wandered lonely as a cloud, that sat on high o'er vales and hills, when all at once I saw a crowd, a host of golden daffodils; Beside the lake, beneath the trees, fluttering and dancing in the breeze..."
- by William Wordsworth.

I learned this daffodil poem as a child. In prior years, as on this cloudy, rainy, sunless morning, my bright cheery yellow daffodiles were also sadly bent over from the weight of the rain.

I have planted dozens of daffodils on Tu B'Shvat. As "my heart with pleasure fills", I am dancing with Your daffodils.

What treasures the Source of All BlesSings gifts us in our garden of life.

And while I have done this, rescuing a single flower, world-wide rescuers are working in Haiti to try to save the countless victims of the earthquake.
Dear Compassionate One, bless them.
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MY JAMAICAN MIKVEH


MY JAMAICAN MIKVEH
Joy Krauthammer

TEXAS ~ A Fenced In and Out Feat of Joy

TEXAS
~ 
A Fenced In and Out Feat of Joy

by Joy Krauthammer

January 26, 2005


This week, six years ago. I was visiting my dear friends, Hesha and Jeff Abrams, for their daughter Danielle's January 23, 1999 glorious Bat Mitzvah in Dallas, Texas. I had never been to Texas. A couple mornings later, a hotel breakfast waiter advised me to drive to Houston to see a great garden. In a rented car, driving to Houston, and being spontaneous, I found and explored first the Kimbal Museum and took fun photos, so therefore arrived late in the afternoon at The Botanical Garden.

Oh, my. The Garden gates were closed and locked. It was after hours. I parked the car out in the middle of the large empty lot. I had missed the garden being open and I did not want to miss the garden. I had flown in from Los Angeles and driven a long way to Houston via Dallas. I was upset.

With a travelling friend from Los Angeles in tow, I left her standing by the eight feet tall, secured, strong brown impressive wooden gates as I walked around the Garden's fenced exterior hoping to find an entrance. Found NO entrance. I looked through a narrow opening slit in the fence and I could see that I wanted to experience what was inside. I could see an inviting pond and green plants. I was fenced out. I went back to my friend and with determination, said, "Here, hold my purse".

I had just months earlier been to Jerusalem, and visiting my daughter, Aviva, at Hebrew University during her Junior year abroad, found the gates at some dormitory areas were locked on Shabbat. How to get out without walking around the whole large campus again to an open gate? I was fenced in. I followed Aviva over to the walls and fenced locked tall gate. My tall, slender, agile college age daughter went UP and OVER. I was left alone on the inside. Where do I place my feet to even try to get a hold? In my Shabbat dress, I clambered UP AND OVER. Wheww. Heart racing and proud of myself!

So, since I now had this new gift, a new skill, in Houston, Texas at the Garden gate, I went UP AND OVER! Is it freedom when you go into locked spaces?

My good friend and travelling companion did not want to follow me. I was trespassing. We were LA dressed, not like boundary crossing cowboys. We were dressed for a museum and a Bat Mitzvah.

I insisted that my friend throw her purse and mine over the top of the fence. Then, up and over she went. Not a happy camper, was she.  My friend, nameless for this story, was red from embarrassment. What I had made her do. oy oy oy.

Once inside the Botanical garden, and all to ourselves, we looked into the Koi fish filled pond, and feeling fulfilled, walked over to the neat, sandy, rock designed and raked quiet Zen meditation garden. Then, from inside the Garden we heard a voice, "What are you doing here? The Garden is closed." The tall slim, in his forties gardener, was surprised to see us. I joyfully explained the story of my anticipated garden visit feeling proud of my maneuvers, illegal as they were. I was so excited to share my story of breaking in and entering his Garden, closed to the public at this late hour. A feat of joy.



Zen garden photo of Joy by gardener
Zen rock garden photo and collage by Joy Krauthammer  ©

So the nice friendly gardener who had waited years for this desirable loved gardener coveted position to open up in the Garden, took us on a personal tour, and took our photos with my camera. I took his photo. The gardener escorted us to the tall big, black iron revolving turn stile, only one way out gate, and we departed. I was a happy camper! I mailed his photo to him. The gardener knew what it meant to have an opening.

Oh, and then in the darkened night, we two friends snuck into a famous big-time rodeo in Texas, because since it was opening preview and practice night, only cowboy participants were allowed. And it was our only night in Houston. There were a whole lot of guards around and it was not easy. Took three tries sneaking in, but we did it! We had had good practice at the Garden. Oy did we LA gals look out of place. No boots, no cowboy hats or spurs, dressed only in our city finest, but we enjoyed smiling at the cows of all colors as they were groomed, and watching from the front row, the smartly coiffured horses practice their gait and parade in the ring. I bet they can jump more easily over fences.

That's my Texas story.

Back in Los Angeles, I caringly created an original large framed photo collage of our daring memories, and gave it as a gift to my courageous travelling friend.

A year and a half later, in LA, I was at cousin Adina's college graduation party and a young gal, Mina Yaroslavsky, the age of my daughter, looked at me with recognition and said, "Aren't you Aviva's mom? I saw you climbing over the Hebrew University tall security fence in Jerusalem as I was jogging past."
 
Was my face red!
Israel was my first fenced feat of Joy.
I've now conquered Texas!
     ~ ~ ~
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THE BESHERT, ROSH HASHANAH TASHLICH SHABBAT TURTLE

THE BESHERT, ROSH HASHANAH TASHLICH SHABBAT TURTLE

2 Tishrei 5765 . Sept. 17, 2004

by Joy Krauthammer


This is a miracle story about a sweet turtle rescued on Tashlich following Rosh HaShanah services, just prior to Shabbat.

The magical morning began on second day Rosh HaShanah at the Temescal Canyon location of the Rosh HaShanah combined Jewish Spiritual Renewal service of B'nai Horin - Children of Freedom and Makom Ohr Shalom. Spiritual leaders included Reb Zalman Schachter-Shalomi, Rabbi Stan Levy, Rabbi Debra Orenstein and Cantors Mark Bacharach and Monty Turner. Unexpected terrific guest leaders included cantorial soloist Craig Taubman, and a great surprise, sharing prayers and stories, Theodore Bikel, who was in deep loving Yiddishe embrace with his long-time dear friend, Reb Zalman.

Musicians included Rebbe Soul's Bruce Berger and flutist Richard Hardy. I had my timbrel to play in joy as the Torah was paraded in shul. Congregants included members from all the Renewal shuls. People had traveled far to come to this service. So many loving friends were present.

Following spiritually moving services, Tashlich on the Santa Monica beach with Rabbi Stan was an awesome experience, as it is every year. Toward the end of Tashlich I had gone looking for the beginning of the Sarah's Tent Tashlich ritual which I also participate in each year. It was supposedly being held in the same area as every year, but I never found it. That was beshert / meant to be.

After doing my own Tashlich ritual, I went back to rejoin B'nai Horin as I had heard that member and teacher, Rina Daly, was doing a later children's Shabbat program. I was talking to Ronit, another B'nai Horin member, as only a few of us were left on the beach after Tashlich. Suddenly I saw a few members huddle together and curious to see what I anticipated was an ocean find, I excused myself and ran to the water's edge.

Jony Goode (Rina's husband) was holding a turtle! Jony had found the turtle, about six inches of shell length, in the ocean. Karen Golden, a long time Sarah's Tent friend and renowned storyteller, quickly exclaimed that this was not an ocean turtle but a freshwater turtle. Jony had rescued the turtle from an unfriendly environment on Tashlich. This is a day of rescuing our souls from our sins.

We decided that maybe someone thought they were liberating the turtle by putting it into the ocean. We all became part of the rescue team. When Karen said the turtle was not in the right environment for him, I decided the turtle would be happier if he had a purification with healing water.

I took out my bottle of spring water and gently poured it over the turtle, beginning with its head. The turtle clearly liked the fresh water as s/he began to stretch out far it's head and all four legs. I think the turtle was really happy to have healthy water. S/he had been more hidden in its shell until given fresh water. The turtle was happy in Karen's hands Another friend, Charlotte Lynn, joined in with more bottled water. Turtle was loving it.

Karen's daughters, Hyla and her younger sister, looked on in glee as their mom was holding the newly found creature. While Karen held the turtle, I then began to pet the turtle's head with a single finger. I continued to stroke the head as the turtle looked at me with it's sweet grateful eyes. The turtle liked for me to stroke its head. I felt I had connected to the turtle's soul. It was a day for Tshuvah / returning to soul.

Karen pointed out the little red color by the eyes, being even more sure that this was not an ocean turtle. Karen said the turtle was underweight, and also that it's shell had been affected by the salt water. Karen exclaimed that she had three turtles in a pond at home and could care for this one. She said that there is even a monthly Friday turtle club. Karen's husband expressed concern for the other turtles in case the new swimmer joined them. I asked Jony for permission if Karen could be a foster mom for the turtle that he had rescued, until the time that Jony and Rina had a proper place to care for the turtle.

Purifying ourselves by throwing our sins into the ocean with proxy bread, and reading poetry on healing waters, by the healing water, we were able to purify our High Holiday turtle with pure spring water! Turtle was given a mikveh to be cleansed. This is a renewed turtle and happy to join community.

Rina began her Shabbat family program and the turtle was at its first (I am sure) Shabbat celebration. Abby sang songs and prayers on guitar as Rina led us into Shabbat with candle, challah and wine on the beach. I knew that I may be late for the evening Erev Shabbat service with Reb Zalman in the Valley at Makom Ohr Shalom, but I was enjoying this beach community Shabbat celebration and especially with the Shabbat Tashlich turtle.

Rina explained that the empty snail shells she had brought to share, were a metaphor for us humans allowing our souls to expand beyond the protective shell. Our Shabbat turtle is a maven on protecting himself in his shell, his makom / home.

I realized that, Beshert, I had missed the Sarah's Tent gathering so that I could participate in the Shabbat rescue of the Tashlich Turtle and help renew it's soul. "Return Again, Return Again, Return To The Land Of Your Soul." (song by Rabbi Shlomo Carlebach)
~ ~ ~
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GEMSBOK SHOFAR as GUIRO and GROGGER


GEMSBOK SHOFAR as GUIRO and GROGGER
Joyous Purim wisdom, double Adar 5751

                  
                  As a temple musician– a passionate performing percussionist and sound healer, I share with you that the Purim grogger, festive ritual noise maker (used to drown out Haman's name in Megillat Esther reading), is similar to a GEMSBOK SHOFAR. A Purim rattle is twirled and spins round the handle, and causes a thin flat piece of wood to flick over (‘to and fro’) a NOTCHED cog wheel set in a frame, making a noise. By cutting off, separating several inches of the slightly curved, black, smooth pointy tip of the long Gemsbok's horn, to create an opening for the Shofar mouthpiece, it is revealed that this horn tip can be used as an 'offering–' as a percussion scraper on the set of natural raised ridges of rings encircling the brown wide end of the raw, rough, splintery Gemsbok horn. 
                  
                  When rubbed in ‘to and fro’ motion with a PUA *, on the thick transverse rings, rasping percussive sounds are created and ‘heard’ on the horn, as on the grogger. Could it be that the Shofar was a signaling instrument in alerting the Persian Jews that they could be saved from the king's edict in Shushan during the reign of Queen Esther, thus making the horn also a culturally authentic grogger? Hearing the Megillah and Shofar are both mitzvot.
                  
                  Ethnic scraper percussion rhythmic instruments are spiritually used in most world cultures for sacred moments. (Scrapers and Shofars are in LA’s Howard Ethnic Instrument Collection, Watts Tower Arts Center.) Performing world-beat percussion, I use a frog shaped wood guiro (Vietnamese or Thai), and also a Gemsbok-like guiro (Latin American) made from hollow gourd, aka calabazo, with parallel carved out grooves, along with a fragrant sage branch stick PUA, a scraper/wand, to make long and short raspy, ratchet (and croaking) sounds. 
                  
                  Biblical Miriyahm HaNeviah, the Prophetess, a percussionist, Exodus 15:20, was also known as "Puah"*, Genesis, Shemot 1:15, a mid-wife, who sang soft cooing sounds as she gently rocked ‘to and fro’ and stroked with her voice and hand-- like a wand, the baby boys she saved from Pharaoh's edict against the Jews. Gemara Sotah 11a. As Puah with (po'ah) she drowned out the sounds of the murder edict.
                  
                  My friend, and ritual teaching partner, ARIELLASHIRA LEWIS created (with Michael Chusid's guidance) her GEMSBOK shofar for rituals, by carving the opening, the hollow 'inside' mouth piece. She is a healer, and a Ba’alat Tekiah/ shofar blower for Simchat Chochmah ceremonies and for women's Rosh Chodesh/ New Moon rituals, as is traditional. With her soulful Ruach/breath and holy kavanah/intention, AriellaShira beautifully and with awesome rich sustained sound, plays her new Shofar. AriellaShira created this personal ceremonial tool during her Simchat Chochmah/Joy of Wisdom ceremony, and shamanic journey. I think her shofar is from a female Gemsbok.
     (http://www.simchatchochmah.blogspot.com), 
                  
                  AriellaShira joyously demonstrated to me, as she stroked her new Gemsbok horn's wide end and long length of ridges of rings with her PUA/wand--horn tip, that she transformed her Shofar to be used in holy ritual and ceremony, also into a scraper PERCUSSION instrument. AriellaShira fashioned the horn’s cut tip into her wand for her musical playing pleasure. (See photo collage of AriellaShira playing her Gemsbok Shofar as a wind and percussion instrument. 
      http://hearingshofar.blogspot.com/ 2011-02-21)

      AriellaShira Lewis, from South Africa where the Gemsbok roam, informed me that Gemsbok is pronounced with a gutteral 'ch', ‘Ch’emsbok’. The sacrificial ram, the 'offering' in Torah's Genesis 22:13 Akeidah, may have been crying out for us to hear, "Use me, don't abuse me. I shall make music for you."
                  
      BlesSings for magical healing sounds, health, wholeness, shalom and joy,
                  JOY Krauthammer
                  Serve G*d With Joy
                  
                  www.joys-music.blogspot.com
                  Enjoy http://joyous-chai-lights-march-2011.blogspot.com/ Reply


                  
Joy Krauthammer, MBA11 March, 2011  Before I realized that I, too, can create a Shofar and GEMSBOK horn grogger to use in my spiritual music, I purchased my foot-long Purim grogger in Jerusalem where I also purchased my Shofar. Now I joyously look forward to having the "Hearing Shofar" maven, Michael, guide me in creating my own percussive Shofar.
                  
                  What excites is that I can create a PUA/wand from a Gemsbok horn, and play the Shofar as percussion. This will enhance and amplify my spiritual playing. See my earlier COMMENT on AriellaShira Lewis regarding this transformational experience.
                  
                  I love that the PUA is also a name, PUAH, for Miriyahm HaNeviah. Genesis 1:15. This connection is meaningful to me– joining woman's voice in Torah to percussion.
                  
                  I include PUAH teachings shared from one of my rebbes, Rav Rahmiel Hayyim Drizin:
                  
               " 'Puah' This was Miriam (called Puah) because she cried and talked and cooed to the newborn infant in the manner of women who soothe a crying infant. Puah is an expression of crying out, similar to “Like a travailing woman will I cry " (Isa. 42:14). Rashi on Sotah 11a explains that she played with the infant to soothe and amuse him. Rashi to Shemot 1:15, citing Gemara Sotah 11a
                  
                " ‘Pu'ah’ is Miriam; and why was her name called Puah? Because she cried out (po'ah) to the child and brought it forth. Another explanation of Pu'ah is that she used to cry out through the Holy Spirit and say: ‘My mother will bear a son who will be the savior of Israel’. Sotah 11a  "
 ~ ~ ~
                  
                  During the High Holidays, 1995, Makom Ohr Shalom held services at UCLA. Reb Zalman Schachter-Shalomi (Aleph and Jewish Renewal movement founder) officiated along with Cantor Monty Turner. (I am one of their musicians.) Reb Zalman knew that I was trained by my husband, Marcel Krauthammer, z"l, in blowing Shofar. I felt good that I could play all the ritual notes. Prior to Rosh Hashanah, Michael Chusid, Ba'al Tekiah demonstrated to me another technique for blowing shofar that I continue to share when teaching others to play. 
                  
                  Reb Zalman, during the Days of Awe service, called upon me to come to the bima and play my Shofar and "to represent the women of the world". He was aware that a major international conference on women had just finished in Beijing, China. He wanted that powerful feminine energy to come through the voice of the ram. With great Kavanah/intention, I sounded the Shofar for the congregation.
                  
                  As a Mitzvah, and in my husband's Zechut/merit, I continue to play Shofar, even over the telephone, especially for those Jewish friends who miss my husband playing Shofar for them. May his soul continue to have an Ilui Neshamah/soul elevation.
                  
                  Have a joyous Adar and
                  BlesSings for hearing Shofar, rhythm, having gratitude, health, Shalom and joy, 
                  JOY Krauthammer
                  Serve G*d With Joy
                  www.joys-music.blogspot.com
With the voice of the SHOFAR, may your prayers ascend with the power of truth, and be accepted by Ribono Shel Olam.  
What does the sound of the Shofar mean in truth to you?
Am I focused to be the best I can be, use the gifts G*d gave me, as I am focused on blowing the Shofar and connecting with G*d?
Do you cry out to The Compassionate One from the depths of your soul, the way we hear the Shofar cry? - Joy Krauthammer

http://highholidays-favoritetorahs.blogspot.com/2009/08/sounds-of-shofar-inspire-me.html

http://kolaleph.org/2012/09/05/sounds-of-the-shofar-inspire-me-joy-krauthammer/?utm_source=Copy+of+Kol+ALEPH+&+LLCP+Launch&utm_campaign=Kol+ALEPH&utm_medium=email

Shofar Sound Illumination
SHOFAR (to blast open the Heavens) mouthpiece is designed narrow – like The Holy Temple windows – narrow within and wide to the outside, for the light of Torah wisdom needs to be spread far and wide to the often darkened world.
The intimate connection makes me feel good that I have with light of Shofar, from narrow opening end to wide end that for me compares to Holy Temple windows also opening wider outward sending forth the Light. 

 A sounding Selfie © Joy Krauthammer  9.2015  Elul 5775
http://joy-blessings.blogspot.com

Joy Krauthammer blows shofar for the women.


===                        

Published Blog

Joy Krauthammer revised her initial post, above. I have retained both drafts because they each offer different insights that deserve to be shared. MC


SOUNDS OF THE SHOFAR INSPIRE ME



SOUNDS OF THE SHOFAR INSPIRE ME

~ JOY Krauthammer


TEKIAH

SOUNDS of the SHOFAR (SOS) with a blast inspire me to open to the beginning of Elul on day one, Rosh Chodesh/ new moon, for self-reflection/ Cheshbon Hanefesh/ accounting of the soul, knowing I can meet our Beloved in the field. A serious Elul soul journey lies ahead, and I am inspired to meditate on SOS.

SHEVARIM

SOS inspire me for Rosh HaShanah/ the New Year to once again seasonally awaken to my Jewish tradition and heritage, and connect to my faith and beliefs, knowing SOS in the same sequence of blasts are heard universally around the world.
SOS help me to stimulate others when I play Shofar. Friends receiving SOS are a gift to me, and I am further inspired with Chesed/ loving kindness to give more and joyously do more Mitzvot/ good deeds.
SOS, as I practice playing, inspire me to study Torah and understand more fully.

TERUAH

SOS inspire me to Shma/ listen silently to the notes, and more deeply, in awe, and with strong Kavannah/ intention to be a better Ba'alat Tekiah/ master of the notes (as my husband, z'l, taught me when we bought our first shofar together in the Old City).
Sounds of the Shofar inspire me to breathe deeply, expansively ­–breathe G*d in and out.
SOS inspire me to use tools, instruments of music of my own faith, and to Mamash delve deeper and higher into my Judaism.
SOS inspire me to share with pride and joy in interfaith gatherings with my own authentic ancient Jewish instrument of sound­– Shofar, in addition to spiritually playing Tof /drum and Timbrel ala Miriyahm HaNeviah in temples for Farbrengans and Malavah malkahs. SOS inspire me to carve my own personal Shofar.

TEKIAH GEDOLAH

The Shofar inspires me through grateful Ruach/ breath to connect L'Dor V'Dor/ generation to generation with my children and their chilren; to the Holy One, Mount Moriah, Mount Sinai, and to our People, all the way back to the ram caught in the thicket by its horns (Genesis 22:13); and to our Matriarch, Sarah, who died because of the Akeda/ the Binding. When I save by rescuing little goats with their horned heads stuck in fences, and I give them freedom--I am inspired.  
Baruch Hashem.
~ ~ ~


Shofar selfie by Joy Krauthammer ©

DJEMBE. The SECRET

 EXCERPT from http://joys-prose.blogspot.com/2006/09/secret-of-intention-my-drumming.html

THE SECRET
- Joy Krauthammer

I was studying outer spiritual life, and receiving inner spiritual life and Holy direction.  Away at a spiritual retreat, Renewal's P’nei Or later aka Kallah in Berkeley, I received spiritual guidance from (now Rabbi) Hanna Tiferet Siegel.  

During her workshop and at her direction after chanting "Modah Ani", on a piece of plain white 8"x10" paper, I drew, tracing next to each other, my right hand and my left hand. I filled in the palms, as directed, with my desires to manifest. This was "The Secret." Put my thought energy into what I want to manifest and ask for it.  I asked The Source of All BlesSings to Shma, hear me.

Right hand-- what I want to receive.  Left hand-- what I want to give to the universe

For wanting to receive, I drew an African djembe drum. For wanting to give, I wrote music signs and the words, "spiritual music". At that moment of finishing my experiential sketch, a stranger whom I had never before seen, "Miriam Minkoff from Buffalo" (and at that moment I was in Berkeley from LA), walked through the outdoor courtyard and up to me, as I, with hands art work in hand, was leaving the workshop door's threshold. Miriam handed to me her huge African djembe drum which was in her arms, and only said, "Play it, and return it when through." She walked away and disappeared into the crowd. (There are more miraculous post scripts to this story.)

This is all Hashgachah Pratit / Divine guidance. In the middle of the courtyard of the Theological Seminary was Shoshanna Shoshanna. Walking directly to her, as she sat on a circular wall, I asked her to show me what to do with this large natural skin, wooden djembe drum, which fit very well in my arms' embrace. I recognized Shoshanna from Jerusalem as being Reb Shlomo Carlebach's, zt'l, concert drummer. I had seen Shoshanna in concert different times in Jerusalem, and then met her at the Jerusalem home of the Witts, not realizing that she was the musician whom I had watched on stage. The host sat me down next to Shoshanna.  How fortuitous. How synchronistic. How perfect. 

Now Shoshannah was sitting right there in the center of the Theological Seminary courtyard in Berkeley. In Jerusalem, we had walked back to her home near the famous outdoor market, Machane Yehuda, and danced to her professionally recorded piano music. Shoshanna, the pianist and percussionist had never before danced to her own music. I watched the dance shadows on the white painted old walls. (Years later, an LA friend purchased and played for me in her car, the same music piano tape of Shoshanna's having no idea that I knew Shoshanna.)

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Followers